If you need sound advice, this is the place to go.
Caine illustrates his principle with amusing anecdotes.
Even if you're not interested in film acting, this is a delightful read filled with interesting tidbits about star
like Stallone.

My only gripe is I wish it were twice as long.

An invaluable guide to working in film. The right mixture of imparting knowledge, and wisdom in an enteraining way. I literally could not put this book down until I had finished it.

In one night I read this book wanting to put myself in the shoes of Michael Caine and seeing his perspective on movie making. Many times I have sat with other actors and filmmakers to gain an insight and to know their passion as a thespian. Michael Caine is a talented individual and what an experience it must have been for the people who had a chance to be part of this two-day class which was transcribed in this book. Thank you Michael Caine and Maria Aitken for releasing this book.

If you are a passionate, disciplined actor who would like to learn several pointers from this professional, buy this book.

Look at this as an inexpensive tool to improve yourself as a thespian. Wonderful reading! Highly recommended!

This short and artfully written book was published after Hume's death. Hume did not wish to experience the controversy engendered by the arguments advanced in the book. It is likely as well that Hume was concerned also with offending some of the moderate Presbyterian clergy who were his personal friends and had been his partisans in other controversies. This book is primarily an attack on the idea that the exercise of reason and logic provides support for religion, and particularly that application of reason leads to strong evidence for the existence of a beneficient God. This line of thought had become particularly popular among liberal theologians in the first half of the 18th century and was a widely held notion among Enlightenment intellectuals across Europe and North America. This idea is still widely held today and can be seen in the writings of the so-called 'intelligent design' advocates of creationism. Hume's criticisms, then, are not only of historic interest but continue to have relevance to our contemporary lives.

The Dialogues are constructed as a 3 cornered argument between three friends. Demea, a man upholding revealed religion against the idea that reason provides support for the existence of God. Cleanthes, an advocate of natural religion. Philo, a skeptical reasoner who attacks the positions held by Demea and Cleanthes. For those who like Hume's sprightly 18th century style, this is a fun book to read. Hume artfully divides some of his strongest arguments between Cleanthes and Philo, and gives the Dialogues the real sense of a dispute among 3 intelligent friends. Philo is generally taken to represent Hume's positions but Cleanthes articulates some strong arguments and provides some of the best criticisms of Demea's fideism. Much of the book is devoted to attacking the argument from design, which Cleanthes attempts to defend against assaults from Philo and Demea. In many ways, the argument from design is the major idea of those supporting the natural religion approach to existence of God. Hume's critique is thorough and powerful. It even includes an anticipation of Darwin's idea's of selection, though the basis for Hume's critique is primarily epistemological. In the later parts of the book, Hume attacks also the comsological argument for the existence of God, though this discussion is relatively brief and a bit confusing. Hume's analysis is consistent broadly with much of his philosophical work. In many ways, his great theme was the limitations of reason, and this book is an example of his preoccupation with the relatively limited role of reason in establishing certain facts about the universe. He finishes with short criticisms of the idea that religion is needed for a stable and well ordered society and defends the usefullness of skeptical reasoning.

It is important to view the Dialogues as part of a critique of religion that Hume sustained in several works. His Natural History of Religion, the On Miracles section of the Enquiry Concerning Human Understacing, and other essays comprise a broad criticism of religion. Other pillars of religion, such as the existence of miracles and revelation, are criticized in his other work. While Hume denied being an atheist and was apparently disturbed by the dogmatic atheism of French philosophes he met in Paris, he was certainly not religous in any conventional sense.

This is a short and very readable book but the power of its arguments are totally out of proportion to its length.

I had a mental love affair with David Hume. I found myself intigued and captivated and frustrated all at once. And, in the end, there was something liberating and alienating. To believe or not to believe--that's something Hume leaves to the reader. Oh, by the way, technically, the sun doesn't rise, nor does it 'set' or fall. The earth spins around its axis--the side that is facing the sun is day; the side facing away from the sun is night. And yet, after reading David Hume, I might even doubt that explanation.

Actually, the rising sun example is often cited as something Hume was completely unsure about. (theoretically, of course) Hume was essentially unwilling to believe anything, be it materialistic or spiritualistic.

"The Kingdom and the Cave" and "Armitage, Armitage, Fly Away Home" are Joan Aiken's best books. I could never understand why "Wolves of Willoughby Chase" got all the hype. I can't even remember the story, and I know I read it!

This book is about a prince named Michael and his cat named Mickle who need to save their kingdom, Astalon, from the very dangerous under-people. The problem is that they need to venture among the under-people and steal their magic box which has the power to save Astalon! The Kingdom and the Cave has a great plot! Joan Aiken comes up with the best stories ever. It's what I expected, a great book with lovable characters (most of them). Before I discovered this book, I read The Wolves of Willoughby Chase and Cold Shoulder Road. They were also good books, but The Kingdom and the Cave is just great, even though it was her first book! The characterization in this book is unbelievable. All of the characters have their own personality, and the description is superb. I can almost see Mickle ( the cat) talking to his friend Minerva the horse, Michael flying on the magical dragon chariots to Dingle-Warren, or Mickle talking to Brock the badger! The only drawback about this book is that there are a lot of different things happening at once. This mixed me up so that I had to read each chapter two or three times before I understood what was happening clearly. This discouraged me, but I kept reading and it was much easier to understand what was happening! I highly recommend this book for people who like to read about fantasy and cats!

This was a great book full of imagination, wit, and humor. You should read it, too! It's one of Joan Aiken's best books.

As a child I LOVED this book and read it several times

Yet another incredible book in this series by Joan Aiken! This one places the focus on Dido Twite, and one of the things that I thought was most enjoyable about this book was seeing Dido grow into the strong, tough-girl from the wretched "brat" in Black Hearts in Battersea. I also thought that there was a lot more humour in this book than the previous three. I guess this book is like the "growth" book. Dido grows into the confident person we see in the later books, and Dutiful Penitence, under Dido's care, also becomes much stronger during the course of this adventure. I guess what I'm saying is that this is the book that makes Dido the mainstay for the rest of the series by showing how she grew stronger and how she helped others grow stronger.

I think it's a funny spoof of the whaling society of Nantucket in the 19th century, and of the Puritanical sort of Quaker types who brought up "Pen". This book introduces several sympathetic, believable, "bang-up" characters, such as Nate, Doc Mayhew, Cap'n Casket and Professor Breadno, and of course, Mr. Jenkins. The plot is wildly fantastical, (and physically impossible, in some parts) but the wonderful storytelling more than makes up for that, and rather sets the scene for the even more eerie and improbable sequels, The Stolen Lake and The Cuckoo Tree. Loads of fun, a must read for kids, and I personally think that adults should read it just to get in touch with the inner child within, etc. etc. READ THIS BOOK!

Joan Aiken writes a brilliant story on two levels which continues the saga of Dido Twite, lost at sea in the preceding novel (Black Hearts in Battersea.) She is rescued by a whaling ship whose skipper, the lugubrious Quaker Captain Coffin, is obsessed by his hunt for the great PINK whale while having some difficulty relating to his timid daughter, who has locked herself in his cupboard for the duration of the voyage. Dido wins her trust and is 'rewarded' by her father who imposes on her to be a sort of au pair. The girls are dropped off in Nantucket where they are to be under the 'care' of Coffin's sister, auntie Tribulation. Tribulation does indeed appear as Nantucket turns out to harbour anti - British-monarchy terrorists and the wicked Miss Slighcarp, villainess of 'The Wolves of Willoughby Chase'. The fast-paced, intricately- plotted story comes to a very clever ending.

As usual Joan Aiken is brilliantly spoofing 19th century literature. Adults will find the parody hilarious while children thrill to the melodrama.

This is definitely one of the best furry books I've ever read (one of my top 5 faves), easily on par with Watership Down, Tailchaser's Song, Fire Bringer and Duncton Wood. Whether you like cats or not, this book is a must-read, and worth the price! (...)

This is one of my favourite books of all time. The story is beautifully crafted, poignant and inspirational - it never fails to move me to tears.

If you love cat's I highly recommend this book.

This is one of the best books I've read in a long time. Solo, the young kitten, is brought up by one of the dominant cats in the cat community. He is taught kindness and strength in a world of hard living and competition softened by the friendship of the cats in the community. Solo is thrust into many leadership situations while very young. He must rise to the occasion and use his special powers at times to lead others. You'll learn about courage, strength and love. I would like to see a follow-up book which tells how the other cats went off and started their communities and linked with Solo in his community of cats to have more adventures. Joy, please write a Part II. We want more!

This enigmatic short story relates a young boy's discovery of his own imagination, which for him, it is not a pleasant discovery. He gradually imagines a buildup of snow around his neighborhood and becomes obsessed with picturing, feeling and relating to the pretended snow. Obsessive thoughts lead him into a darkening, quieting, cold and suffocating world.

The descriptions are beautiful and details fascinating and there is a masterfully subtle escalation of suspense, but this story leaves a reader feeling emotionally drained and closed, lost in this little boy's collapsing world, the nature of which remains a mystery at the end of the story.

I read this 35 years ago as a college freshman, and when a friend described her son, recently, as "between autism & depression" I immediately had to try to find a copy of it. Aiken weaves a fascinating story of a beautiful and yet terrible place that occupies more and more of the subject's world. Aiken only slowly reveals that this is not truly a snowy day in the real world. I have no experience as a professional in this area, and have only briefly read about autism, slightly more exposure depression. But "SS,SS" left me wondering if it might be an accurate glimpse into that secret, hidden world.

A chilling, but realistic, account of a young boy's slow decent into depression and isolation. Aiken is truly a master of his craft, using exquisite narrative style to draw the reader into the main character's mind.

Aiken wrote numerous novels and short stories, many of them based on psychoanalytic theory. This short story is regarded to be one of his best, a true classic.

When I was in fourth grade, my teacher gave me a copy of this book for Christmas. I read it over and over, and my copy is well-worn and loved. No matter what your age (and I'm now 27) it is a funny and witty book. When I was 10, I didn't get the whole Raven "Nevermore" thing, but that makes it all the funnier!

I am 19 years old, and first came across this book at a thrift store. The cover depicted a small girl with a pan on her head holding the handle of a red wagon in which was perched a raven wearing a dishtowel. I was immediately intrigued. The story of Arabel and Mortimer is one that I have read over and over and over, and I still laugh aloud each time I read it. This book is absolutely marvellous, and I was constantly telling friends to read it. Unfortunately, I lost my copy, and lo and behold! It's out of print...but this is a book I'll be buying again as soon as possible. It is hilarious, weird, crazy, and just great. It should be read by everyone.

This book is not only beautifully written and perfect for all ages, "The Princess and the Goblin" is also morally strong and uplifting. Children of either sex will be interested in it, with a loving and beautiful grandmother, a strong and intelligent young girl, and a young boy who is intent on protecting his loved ones and uncovering the evil goblin plot. I have read this countless times, and each time I discover something new. The sequel, "The Princess and Curdie," is also worth reading. I love this book!

So you love C.S. Lewis' Narnia Chronicles? There people who don't are few and far between. One of the biggest influences on C.S. Lewis was this man, George MacDonald (1824-1905). It was MacDonald's talent for telling fairy stories that inspired Lewis in writing his own. Like Lewis, MacDonald has a remarkable ability to tell a delightful and enchanting story for children, layered with strong Christian themes and imagery by means of allegory and symbols. 'The Princess and the Goblin' is one of his most beloved works for children, and an excellent introduction to his style and success.

'The Princess and the Goblin' features a heroine ' a princess called Irene ' and a hero ' a simple miner's son called Curdie. While working overtime in the mines to earn money to buy his mother a red petty-coat, Curdie chances upon the goblins who live in the mountain, and discovers that they are hatching an evil plot against the king and his palace. Meanwhile the princess makes a discovery of her own ' high in the castle she finds a wonderful old lady who is her great-great-grandmother. The problem is, nobody else knows of her grandmother, and nobody believes her. But the princess does believe, and it is by her faith in her grandmother and the magic thread that she receives from her, that she is able to rescue Curdie. Together they rescue the entire palace from disaster at the hands of the goblins.

In telling the story, MacDonald has an enchanting conversational style, wonderfully suitable for reading aloud to enraptured children ' an ability perfecting in telling stories to his own eleven children. But 'The Princess and the Goblin' is more than just a story. Before pursuing a literary career, MacDonald was a Congregationalist minister, and so integrates important underlying Christian themes. Believing in the great-great-grandmother despite the fact that many cannot see her, is a symbol of believing in God. MacDonald uses this to show how the Christian faith involves believing without seeing, and that not everyone has to 'see' something for it to be true. The grandmother's lamp and magic thread are the guides on which the princess must depend, much like the Word which is a lamp on our path. It may sound tacky, but it works.

Children are not likely to grasp the deeper underlying themes that MacDonald is working with. Nonetheless the story has a clear message for children. The clear conflict between the royal powers of light against the goblin powers of darkness is unmistakable. Moreover, the princess is presented as a model of virtue, and MacDonald frequently asserts the importance of moral virtues such as always telling the truth, keeping your word, and admitting your faults ' moral virtues that are equally important for princes and princesses of God's kingdom. Courage, honesty, grace, dignity and beauty are timeless ideals for children of all times to strive for. If you love Narnia, you're sure to like this one, and you'll find yourself quickly grabbing the sequel, 'The Princess and Curdie.' 'The Princess and the Goblin' was one of J.R.R. Tolkien's childhood favorites, highly regarded by C.S. Lewis, described by W.H. Auden as 'the only English children's book in the same class as the Alice books', and generally considered as a classic example of nineteenth century children's literary fairy tales. So if you haven't yet read this book, it's about time you did. With admirers such as Tolkien, Lewis and Auden, if you become a MacDonald's admirer you'll find yourself in good company!

I cant believe I haven't read this untill now, its such a great book! A princess lives in a castle all her life, never knowing of the great dangers that go on in the mountain. One day(being about 7 years old) she finds a stairway in her house that she has never seen and it leads her to her great, great grandmother. After she meets her grandmother she is shown the dangers of the goblins and meets a boy named Curdie who mines in the mountain with his father. Throughout the book Curdie and the princess have many encounters with the goblins. This is a great book I highly recommend it for readers of all ages.

My copy was inscribed to me when I was six, in between Dr. Seuss and the Phantom Tollbooth. Looking at it again now, I marvel that it was only eight stories. Bits of them have stuck in my mind ever since: the necklace of raindrops, each with a special power, the girl who had to be washed with her dress on and hung out on the line to dry so it wouldn't shrink past her, the train station in the desert, the cat who ate the yeast, the quilt and the camels and the traffic lights from Beirut. Get a copy and wear it out, then read Joan Aiken's other marvelous books.

I am thrilled to see this book back in print after so many years. I read it when I was a kid and even after 3 decades I still remember the story of the girl who gets a magic necklace of raindrops and the story of the cat and his wishing mat made out of a gray dress. The new illustrations are nice and I like the fact that it is in hardback, because it will last longer.

Eight stories designed for bedtime reading or relaxing newly independent readers will find appeal in a wide age range. From a flying pie to elves on shelves, A Necklace Of Raindrops And Other Stories is packed with whimsical scenarios and fun moments.

Midnight is a place is about two orphans, Lucas and Anne-Marie who struggle withought their parents. thier home- midnight court is burnt down and they are forced to work for their money, they cant afford anything and they are always made fun of. that is unitl anne-marie finds a lady who is her grandmother. read this book to find out how lucas survives from the wild hogs and the mad man while he is working and anne-marie survives from bob bloodward, the man who is after her at midnight mill, and how does lucas get his money back? simply find out buy the book Midnight Is A Place to find out!

It's got all the ingredients of a classic Gothic thriller (the creepy mansion, the unpleasant guardian, the servant with a hidden past, the lonely orphan, the depressing, filthy, poverty-stricken town, the sudden reversals of fortune, the mysterious benefactor) but MIDNIGHT IS A PLACE is written for that twilight area in the great scheme of publishing demographics--somewhere between middle school and adult, somewhere past chapter books but not quite ready for Great Literature. And in Aiken's expert hands, this is a wonderful place to explore. Lucas Bell, the lonely orphan with the unpleasant guardian, lives in the frightening mansion called Midnight Court, is taught by the servant with the hidden past, is subjected to the sudden reversals of fortune, including the unexpected arrival of another orphan (Anne-Marie, a plucky young French girl), a devastating fire, the need to find work in the local factory, the help of a secretive old lady, and the long unraveling of the mystery of his name and fortune. It's glorious stuff, over-the-top, a wonderful read, moody and frightening and funny by turns, managing both to exploit the genre and to rise above it. Young readers who have enjoyed the Lemony Snicket books, and who are now ready for something better, something real, something that's sort of a complex three-way cross between Dickens, Austen, and old-fashioned Gothic romances, will enjoy this book. It'd be a quick read for adults, but I'd recommend it to anyone who loves the genre.

Joan Aiken sets many of her children's books in a slightly off-kilter Victorian world, and this is one of them. Lucas and Anna-Marie are orphans in the care of a miserly, grim old man who owns carpet-making factories. After a terrible accident, the two children have to survive on their own, and this takes them through the dark alleyways, factories, and even sewers of the nearby town. Some parts are quite scary, and others are strange in a larger-than-life kind of way, including the descriptions of the machines in the factories. The characters are wonderful, though, and as always, there is a sense of atmosphere in Ms. Aiken's books that I've found no where else. Highly recommended.